Medieval Flower - Cast Paper
🌟 Medieval Flower Hand-Painted Paper Sculpture 🌟
✨ A timeless design with historic charm!
This 7.25" diameter artwork, including its artist-designed 3D-printed frame, features a hand-painted cast paper sculpture inspired by the stone carvings of medieval cathedrals. Its intricate details bring the beauty of history into your home.
🌟 Medieval Flower Hand-Painted Paper Sculpture 🌟
✨ A timeless design with historic charm!
This 7.25" diameter artwork, including its artist-designed 3D-printed frame, features a hand-painted cast paper sculpture inspired by the stone carvings of medieval cathedrals. Its intricate details bring the beauty of history into your home.
🌟 Medieval Flower Hand-Painted Paper Sculpture 🌟
✨ A timeless design with historic charm!
This 7.25" diameter artwork, including its artist-designed 3D-printed frame, features a hand-painted cast paper sculpture inspired by the stone carvings of medieval cathedrals. Its intricate details bring the beauty of history into your home.
🌸 Key Features:
➹ Hand-painted cast paper sculpture with unique dimension and beauty
➹ Mounted on a matching, artist-designed 3D-printed frame
➹ Frame is hand-painted to complement the sculpture
➹ Lightweight and easy to hang
🌟 Perfect for:
➹ Lovers of history, architecture, or timeless art
➹ Adding an elegant, medieval touch to your home
🎁 Celebrate the beauty of medieval artistry with this unique and striking decor piece!
Paper Casting
Paper casting is to me the perfect medium. It allows me to use almost every skill set. A typical piece begins as a drawing or two. Then I sculpt it in wax. This is a long refining process and often the image sculpted is far different from the drawing. Then I build a dam around the wax and pour a rubber mold directly off the surface. A casting is made by pressing the wet cotton pulp into the mold and extracting the water. Then I finish the surface.
While every piece that emerges from the mold is about the same, no two are really painted the same. Maybe I would if I could, but the painting process is always in flux. I am always experimenting with ways of mixing colors or washes and hard edges or new pigments. I spend about 75% of my time with the painted finishes.
